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The Evolution Of Dragon

July 21, 2008
tags:
The Dragon on Ishtar's Gate

The Dragon on Ishtar’s Gate

The

Evolution of

the Dragon

by G. Elliot Smith

[1919]


Contents
Start Reading
Page Index
Text [Zipped]


This is a set of three connected essays on the symbolism
and development of the concept of the dragon in world mythology.
The author, Grafton Elliot Smith (b. 1871, d. 1937), was Australian by birth,
and an anatomist by profession.
Smith wrote this while a Professor of Anatomy in Manchester,
doing ground-breaking work on the evolution of the primate brain.
He also treated veterans of WWI and did some of the earliest
work on ‘shell-shock,’ today known as post-traumatic
stress disorder.

His views on the origin of culture have not fared as well.
Smith was a diffusionist, a school of thought popular in the late 19th
and early 20th century which attempted to trace diverse cultural phenomena to
unitary geographic points of origin.
One example of this is Donnelly’s
Atlantis, which Donnelly proposed
was the mother of all cultures.
Smith, a bit more mainstream, traced the development of megalithic
culture to Egypt, radiating out to distant lands, including America.
Today, we know that megalithic culture preceded ancient Egyptian civilization,
in some places by millennia, and developed independently
in widely spaced geographic locations.

In this book, a compilation of three lecture series which he delivered
shortly after WWI, Smith proposed a theory of how the dragon originated
as a representation of the Mother Goddess,
a symbol of the power and mystery of nature, and later evolved into
a symbol of evil, turning into the prototype for the Christian devil.
He uses linguistic, ethnographic, and biological data to bolster his theory.
While in some respects a difficult book, depending on one’s attention span,
it is also a browser’s delight.
We learn about the origin of clothing, the water of immortality which Gilgamesh sought, and the symbolism, folklore and biology of the octopus, mandrake, pearls, cowry shells, etc.
In particular, students of comparative mythology will enjoy this book,
even if they reject Smith’s hyperdiffusionist views…

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